Showing posts with label readers. Show all posts
Showing posts with label readers. Show all posts

Thursday, February 2, 2017

Dick, Jane and Puff: killer kitten




One of my more sadistic animations. As usual, people jump and down on each other a lot. Bambi it ain't, but it was still hard for me to do. Took forever.



Monday, September 8, 2014

Steal this book (no, I mean it!)




I will tell you what I'd like to see.

Go to the library to read The Glass Character. Don't pay. Borrow it from a friend. Kindle it because it's cheaper and can't be pulped (or at least I don't think so, though no doubt it can be terminated somehow). I prefer the idea of Kindle now because Kindle never seems to be outrageously discounted - it's worth something to them, I guess. Though I hold my nose to say this, you can buy the paper version very, very cheap on Amazon now - I can do nothing to change this. I would prefer you buy it at the sane price offered by Thistledown Press or even the retail stores, who can't afford to sell a new book for four dollars a pop. I'd say, don't support these capitalist pigs. On the other hand, you can get it way cheap, four for the price of one, and give three away to friends. Or resell them: they ARE yours, after all, aren't they? And that means more people will read it. It's all I have right now. 






It amazes me how often this is seen as pure ego. You mean she wants someone to READ this? Isn't the process of writing its own reward? If you cooked a great dinner and no one ate it and it sat there and rotted, ask yourself if preparing it was "enough". If a concert pianist, after 20 years of training, had to play in an empty hall that he had to pay to rent, well. . . you get the idea. I hope.  Not only that - the passion and excitement I felt around this era and Harold Lloyd himself led me to the false conclusion that my enthusiasm might catch fire somewhere. Wrong.

If nothing else, my link tells people how to get their hands on my backlist, and tells them there IS a backlist, that it didn't disappear altogether. If this story gets into people's hands, I don't care whether there is money attached to it. There isn't going to be, anyway. The only review I had, after waiting half a year, was an evisceration by a standup comic from Winnipeg, and I wasn't supposed to say anything: in fact, I was advised to thank him! The whole system is so bizarre and sick, no one else would put up with it, but there are always a few who are fat and happy and thriving and very quick to tell you what you are doing to bring this on yourself. 





So go ahead, order it from Amazon. I can't stop Amazon, and I can't stop you. It means you get the book and hardly have to pay anything. In an economic sense, it's a fantastic deal. You, the consumer, the potential reader, will benefit. So will Amazon, but what's it to them? Used marbles would garner them more profit. They told me the writer still makes the same royalties, though I don't see how that could happen. So why aren't I happy? Everybody seems to be really puzzled. Hey, it's on sale now! More people will buy it! Isn't that a GOOD thing? Who cares about prices anyway?





Meantime, my copy of The Movies, my cinematic primer from when I was a kid, just arrived at the door. I never thought I'd see it again, and in fact for many years I thought I had dreamed it, like a lot of those old TV shows buried in the grainy vaults of the brain.

Go on and have a good week. No, go on.

(News flash: today I noticed that Amazon has just knocked another 20 cents off the price of The Glass Character! Go buy it, no, I mean you really SHOULD buy it now, because at these bargain basement prices, they'll really go fast.)





Dear Sir or Madam, will you read my book
         It took me years to write, will you take a look. . .