Showing posts with label Tom Robbins. Show all posts
Showing posts with label Tom Robbins. Show all posts

Tuesday, April 25, 2017

This is me in '89




You can tell everything about a vacation spot from its postcards. Can't you? In this case, Washington State is all about Really Big Fish.




"Are you sure this isn't Vancouver?" I asked my husband as the rain bucketed down. One grows an amphibious skin after awhile in these climes, but it's still depressing on vacation. 




When it's not about Really Big Fish, Washington is about Really Big Logs, or else the men are the size of ants. Actually, this COULD be a real log. I've heard they have Really Big Trees.




I haven't written about Bigfoot yet, but I'm going to. For a while, two of the grandgirls were obsessed with him, and the whole family would watch Finding Bigfoot to gales of laughter. There are actually people who are Squatchers or Sasquologists, or whatever they call them. Bigfooters? Privately funded, I assume.



Slugs are another feature of Washington, though they're no bigger than the footlong banana-boat suckers we have around here. The first time I saw one, I wondered who had run over an anaconda. There were guts everywhere. This card reminds me a bit of the creepy artwork of Robert Crumb. It's something to do with a Gold Slug Card.




Why did I keep these?




At any rate, here we are in Washington State, in the town of LaConner, home of Tom Robbins. Did I ever look like this? I'm practically a kid, and my kids (now in their 40s) are zygotes.




The atmosphere was fishy, froggy, amphibious. Wet. Wet, wet, wet.




Since Humptulips was mentioned in Tom Robbins' Another Roadside Attraction, I wanted to see if it really existed. It wasn't much, but I just had to be there. The nicest photo, in which I'm kneeling before the Humptulips sign, is gone. I gave it away. I got hooked into a Chain Art thing, a piece of nonsense that operated kind of like a chain letter. I dutifully sent off my poem about Humptulips, with photo, and never heard from anybody. Ever. It was eating lunch alone in the school cafeteria, all over again. 




I do wonder, sometimes (no I don't - I've forgotten all about it) whatever happened to the plans for Humptulips Valley Church. Maybe I should look it up. A lot has happened since 1989. For one thing, I've gained - umm - I don't want to think how many pounds. But I think I was on the too-thin side here and probably boomeranged, or bounced. 




The second-nicest photo of me standing by the Humptulips sign. The other one was discarded like a piece of trash. If you wanted a second print of something in those days, you had to rifle through a whole pile of slippery brown negatives and hold them up to the light, going, "No. . . no. . . no. . . ", until you got sick of the whole thing and gave up. 




And I apologize for any log-disparaging remarks I made: just look at this one! Jesus Christ, how do they MAKE logs this big? It looks as if it could swallow me up.



Romance in LaConner. Both of us looking ridiculously young.

I always try to find the community papers in any new place, because they tell you what's really going on. I kept a few memorable clippings, orange with age, but God these were hard to get into any sort of shape to post. I had to scan them, then sort of cut them apart, and the typeface ended up every different size. I especially like the Police Blotter - sounds like something out of Mayberry - and the lovely birthday tribute to Granmummu. I also like the fact that the Aberdeen News is called. . . 



























POST-BLOG BLISS! I found that photo of the Humptulips sign! I must have made an extra copy of it, after all. I wish I had kept the accompanying poem that was meant to fulfill my obligation for "chain art". I got absolutely nothing back, and lost the poem. BUT I STILL HAVE THIS. 


Monday, April 24, 2017

Where is Humptulips?








































"Humptulips, I hear you calling. Humptulips never sounded better. Humptulips sounds like it is Papeete, Tahiti, or the French Riviera. O Humptulips, shimmering pearl of the Mediterranean! I love thee, Humptulips, even though there is not one Dutch girl in thy whole domain."

Tom Robbins, Another Roadside Attraction


Thursday, January 19, 2017

"Where'd you get the gun, John?"








Rain fell on Skagit Valley. 

It fell in sweeps and it fell in drones. It fell in unending cascades of cheap Zen jewelry. It fell on the dikes. It fell on the firs. It fell on the downcast necks of the mallards. 

And it rained a fever. And it rained a silence. And it rained a sacrifice. And it rained a miracle. And it rained sorceries and saturnine eyes of the totem. 

This quote is the kind-of-a-thing that makes writers wanna give up forever. It's the feverish vision of a strange sort of man, half Byron, half Donald Duck (and half Betty Boop, probably, though we don't know where that half is stashed).

I was trying to find the whole quote, because I know it goes on and on. So I found my punky-smelling, beige-paged copy of Tom Robbins' classic Another Roadside Attraction, and began to dig. 
After getting lost in the story a few times, I gave up, but I did find this:

The afternoon sky looked like a brain. Moist Gray. Convoluted. A mad-scientist breeze probed at the brain, causing it to bob and quiver as if it were immersed in a tank of strange liquids. The Skagit Valley was the residue at the bottom of the tank. Toward dusk, the wind flagged, the big brain stiffened (mad doctor's experiment a failure), and ragged ribbons of Chinese mist unfurled in the valley. The blaring cries of. . . 





OH FOR GOD'S SAKE. Mercy. Mercy.

And it rained an omen. And it rained a poison. And it rained a pigment. And it rained a seizure.


This reminds me of nothing more than Bob Dylan's A Hard Rain's a-gonna Fall: I'll tell it and think it and speak it and breathe it/And reflect from the mountain so all souls can see it. And I'll stand on the ocean until I start sinking/But I'll know my song well before I start singing. 

Why? Why all this? If you follow this strange, incoherent blog-about-nothing, you'll know about the cedar boughs outside my office window. They are vanes, omens, semaphores. They hang in three-dimensional layers, a sweet intimate bough that sweeps on my left side, a less-visible perpendicular wodge of green that doesn't want to talk to me, and behind all that, a backdrop of bush that just goes on and on.





We live in suburbia, but at night comes the trilling and squealing of shabby-looking pack animals, the kind that search around for garbage in the night. At first I thought I was going crazy with the sound. My husband, half-deef, couldn't even hear it. It was only much later that I found out what they were.

Anyway, this isn't about that.

Rain sweeps and drones in Vancouver, a close enough cousin to Skagit Valley to pass one of those primordial DNA tests (if only by a whisker). Yes. We have this too:

Moisture gleamed on the beak of the Raven. Ancient shamans, rained from their homes in dead tree trunks, clacked their clamshell teeth in the drowned doorways of forests. Rain hissed on the Freeway. It hissed at the prows of fishing boats. It ate the old warpaths, spilled the huckleberries, ran in the ditches. Soaking. Spreading. Penetrating.


Stop!





Pitiless, endless, suicidal, the rain takes up residence for some eight months of the year. No, twelve. Let's quit lying about this so we can go on living. As in northern Alberta, where I lived for many years, it can rain just like it can snow, any old time. In the middle of a grand day. It can split the merry blue sky like a railroad spike.

I like a storm. I love a storm when I am not in it. We don't get good hail around here (hail merry!), but in Alberta, once in a while a big satchelful of temporary diamonds would be dumped on the ground, and the air would hiss with ozone. The roof would thunder and dents would appear on the hoods of cars. Then a gleaming bounty lay on the ground, sublimating in sinuous vapors. Soon it'd just be that rice-paddy mush that's left over from a violent hunderstorm.

Here it's more temperate. Just a continuous pissing down on your dreams, a Monty Python foot crushing all ambition and hope.

I just realized something. Shakespeare bombed. He said something like, "Shall I compare thee to a summer's day?", then goes on blathering about "the darling buds of May". Doesn't the idjit know when summer starts? There's a meteorologist on CTV news who knows better than that. And he's not the most celebrated writer who ever lived.





What's my point? Jesus! it's wet, and grey, and discouraging out there. I won't tell you what I've been going through with my work lately. It's the best of times, and the worst of times. Something spectacular might happen, but at the same time, it might be the end of everything.

Or, as usual, I will just be left hanging and face the same indifference, the averted face and cold shoulder, that my mother presented to me when I was born.

The opposite of love isn't hate. It's indifference.

The universe doesn't care. It's indifferent. But why do people have to be? 

And what about my mother? My mother.







If the rain comes they run and hide their heads. 
They might as well be dead. 
If the rain comes, if the rain comes. 

When the sun shines they slip into the shade 
(When the sun shines down.) 
And sip their lemonade. 
(When the sun shines down.) 
When the sun shines, when the sun shines. 

Rain, I don't mind. 
Shine, the weather's fine.

I can show you that when it starts to rain, 
(When the Rain comes down.) 
Everything's the same. 
(When the Rain comes down.) 
I can show you, I can show you. 

Rain, I don't mind. 
Shine, the weather's fine.

Can you hear me, that when it rains and shines, 
(When it Rains and shines.) 
It's just a state of mind? 
(When it Rains and shines)
Can you hear me, can you hear me? 

sdaeh rieht edih dna nur yeht semoc niar eht fI. 
(Rain) 
niaR. 
(Rain) 
enihsnuS.


Monday, February 3, 2014

February: you may be little, but you're small!





They say that February is the shortest month, but you know they could be wrong.

Compared, calendar page against calendar page, it looks to be the shortest, all right. Spread between January and March like lard on bread, it fails to reach the crust on either slice. In its galoshes – and you’ll never catch February in stocking feet – it’s a full head shorter than December, although in leap years, when it has growth spurts, it comes up to April’s nose.

However more abbreviated than its cousins it may look, February feels longer than any of them. It is the meanest moon of winter, all the more cruel because it will masquerade as spring, occasionally for hours at a time, only to rip off its mask with a sadistic laugh and spit icicles into every gullible face, behaviour that grows quickly old.




February is pitiless, and it is boring. That parade of red numerals on its page adds up to zero: birthdays of politicians, a holiday reserved for rodents, what kind of celebrations are those? The only bubble in the flat champagne of February is Valentine’s Day. It was no accident that our ancestors pinned Valentine’s Day on February’s shirt: he or she lucky enough to have a lover in frigid, antsy February has cause for celebration, indeed.




Except to the extent that it “tints the buds and swells the leaves within,” February is as useless as the extra r in its name. It behaves like an obstacle, a wedge of slush and mud and ennui, holding both progress and contentment at bay.

James Joyce was born in February, as was Charles Dickens and Victor Hugo, which goes to show that writers are poor at beginnings, although worse at knowing when to stop.






If February is the colour of lard on rye, its aroma is that of wet wool trousers. As for sound, it is an abstract melody played on a squeaky violin, the petty whine of a shrew with cabin fever. O February, you may be little but you’re small! Were you twice your tiresome length, few of us would survive to greet the merry month of May.

Tom Robbins, Jitterbug Perfume






http://margaretgunnng.blogspot.ca/2013/04/the-glass-character-synopsis.html

http://members.shaw.ca/margaret_gunning/betterthanlife.htm

Saturday, June 9, 2012

Golden girls







Sisters, sisters. . . one seven, one not quite five. . .


. . . and being with them is golden time, proving Tom Robbins was so right when he wrote:


It's never too late to have a happy childhood.



http://margaretgunnng.blogspot.com/2012/01/synopsis-glass-character-novel-by.html

Monday, February 20, 2012

Tom Robbins on February: you may be little, but you're small!



They say that February is the shortest month, but you know they could be wrong.



Compared, calendar page against calendar page, it looks to be the shortest, all right. Spread between January and March like lard on bread, it fails to reach the crust on either slice. In its galoshes – and you’ll never catch February in stocking feet – it’s a full head shorter than December, although in leap years, when it has growth spurts, it comes up to April’s nose.











However more abbreviated than its cousins it may look, February feels longer than any of them. It is the meanest moon of winter, all the more cruel because it will masquerade as spring, occasionally for hours at a time, only to rip off its mask with a sadistic laugh and spit icicles into every gullible face, behaviour that grows quickly old.






February is pitiless, and it is boring. That parade of red numerals on its page adds up to zero: birthdays of politicians, a holiday reserved for rodents, what kind of celebrations are those? The only bubble in the flat champagne of February is Valentine’s Day. It was no accident that our ancestors pinned Valentine’s Day on February’s shirt: he or she lucky enough to have a lover in frigid, antsy February has cause for celebration, indeed.







Except to the extent that it “tints the buds and swells the leaves within,” February is as useless as the extra r in its name. It behaves like an obstacle, a wedge of slush and mud and ennui, holding both progress and contentment at bay.



James Joyce was born in February, as was Charles Dickens and Victor Hugo, which goes to show that writers are poor at beginnings, although worse at knowing when to stop.





If February is the colour of lard on rye, its aroma is that of wet wool trousers. As for sound, it is an abstract melody played on a squeaky violin, the petty whine of a shrew with cabin fever. O February, you may be little but you’re small! Were you twice your tiresome length, few of us would survive to greet the merry month of May.

Tom Robbins, Jitterbug Perfume






http://members.shaw.ca/margaret_gunning/betterthanlife.htm